iti te jnaanamaakhyaatam guhyaadruhyaataram mayaa |
vimrishyaitadasheshena yathechhasi tathaa kuru || 63 ||
In this manner, I have declared that knowledge to you which is most secret among all secrets. Reflect on this fully, then do as you desire.
iti : in this manner
te : to you
jnaanam : knowledge
aakhyaatam : declared
guhyaat : of the secret
guhyaataram : most secret
mayaa : I have
vimrishya : reflect
etat : this
asheshena : fully
yatha : what
ichhasi : desire
tathaa : that
kuru : do
We have come across the word "iti" several times in the Gita discourse. It is always used to conclude a chapter, and also to conclude a major theme or topic. Here, Shri Krishna uses this word to inform Arjuna that the Gita discourse has concluded with this shloka. We have to note that the Gita is but one portion of the Mahaabhaarata epic. So the shlokas that follow this one are used to summarize the main teaching, and to link back to the conversation between Sanjaya and Dhritarashtra.
Shri Krishna also emphasizes the most secret aspect of this text. We have to understand the implication of the word secret here carefully. The Gita is by no means an exclusive text. There are several commentaries, including this one, that are freely available on the web. Most people will not approach the Gita due to their preconceived notions. Some think it is outdated, some think it is impractical and so on. Only a few people are interested in the Gita, and of those, fewer still are willing to understand and change their approach to life based on it.
For any spiritual teaching to have an impact on our lives, it has to go through three steps. Shravana is actively listening to the text through a qualified teacher. Manana is reflection on the teaching, with a view to resolve all doubts or gaps in logic. Nidhidhyaasana is meditation and constant contemplation, with a view to assimilate that teaching completely. Many seekers are enthusiastic listeners, but they make the mistake of skipping the second step. In doing so, they are not able to see the value of the teaching in their own lives. Shri Krishna stresses the importance of reflection to Shri Krishna. He also gives Arjuna the freedom to apply the teaching based on this understanding born of out of reflection, instead of taking it at face value.
Showing posts with label tathaa. Show all posts
Showing posts with label tathaa. Show all posts
Sunday, July 21, 2013
Monday, July 8, 2013
Bhagavad Gita Verse 50, Chapter 18
siddhim praapto yathaa brahma tathaapnoti nibodha me |
samaasenaiva kaunteya nishthaa jnyaanasya yaa paraa || 50 ||
How one who has attained perfection also undoubtedly achieves the eternal essence, learn from me in brief, O Kaunteya, that supreme devotion to knowledge.
siddhi : perfection
praaptaha : one attained
yathaa : how
brahma : eternal essence
tathaa : also
aapnoti : achieves
nibodha : learn
me : from me
samaasena : in brief
eva : undoubtedly
kaunteya : O Kaunteya
nishthaa : devotion
jnyaanasya : of knowledge
yaha : which
paraa : supreme
Shri Krishna now starts to recap the content from chapters five and six. Chapter three and four covered the topic of karma yoga, and how karma yoga gradually evolves into jnyaana yoga. Once the seeker has reduced his stock of desires, has purified his mind, and has gained knowledge about the aatmaa, the self, from a competent teacher, he then enters into the stage of sanyaasa, complete renunciation of action. Chapters five and six explain the process of entering into, and maturing of, the state of renunciation.
Siddhi here refers to the purification of mind obtained as a result of karma yoga. Jnyaana nishthaa, devotion to knowledge, also known as nidhidhyaasana or meditation, is the culmination of sanyaasa. If we ever wonder how monks spend most of their time, this is it. Besides doing the bare minimum needed to maintain the body, the monk is engaged in one and only one thing - constant contemplation, constant abidance upon the self.
For most of us, just contemplating on the self may seem a bit odd. How can such a seemingly mundane engagement result in liberation? So we need to remember that the self is already attained, there is no work that is needed to attain it. The only work that we have to do is to get rid of what is the no-self, in other words, purify our mind through karma and bhakti. Shri Krishna emphasizes this point by using the word nibodha, which means to know. There is nothing else that needs to be done in sanyaasa since it is the last stage of yoga.
samaasenaiva kaunteya nishthaa jnyaanasya yaa paraa || 50 ||
How one who has attained perfection also undoubtedly achieves the eternal essence, learn from me in brief, O Kaunteya, that supreme devotion to knowledge.
siddhi : perfection
praaptaha : one attained
yathaa : how
brahma : eternal essence
tathaa : also
aapnoti : achieves
nibodha : learn
me : from me
samaasena : in brief
eva : undoubtedly
kaunteya : O Kaunteya
nishthaa : devotion
jnyaanasya : of knowledge
yaha : which
paraa : supreme
Shri Krishna now starts to recap the content from chapters five and six. Chapter three and four covered the topic of karma yoga, and how karma yoga gradually evolves into jnyaana yoga. Once the seeker has reduced his stock of desires, has purified his mind, and has gained knowledge about the aatmaa, the self, from a competent teacher, he then enters into the stage of sanyaasa, complete renunciation of action. Chapters five and six explain the process of entering into, and maturing of, the state of renunciation.
Siddhi here refers to the purification of mind obtained as a result of karma yoga. Jnyaana nishthaa, devotion to knowledge, also known as nidhidhyaasana or meditation, is the culmination of sanyaasa. If we ever wonder how monks spend most of their time, this is it. Besides doing the bare minimum needed to maintain the body, the monk is engaged in one and only one thing - constant contemplation, constant abidance upon the self.
For most of us, just contemplating on the self may seem a bit odd. How can such a seemingly mundane engagement result in liberation? So we need to remember that the self is already attained, there is no work that is needed to attain it. The only work that we have to do is to get rid of what is the no-self, in other words, purify our mind through karma and bhakti. Shri Krishna emphasizes this point by using the word nibodha, which means to know. There is nothing else that needs to be done in sanyaasa since it is the last stage of yoga.
Sunday, June 2, 2013
Bhagavad Gita Verse 14, Chapter 18
adhishthaanam tathaa kartaa karanam cha prithagvidham |
vividhaashcha prithakcheshtaa daivam chaivaatra panchamam || 14 ||
The foundation, the doer and several instruments, and the various movements of several types, as well as the divinity, the fifth in these.
adhishthaanam : foundation
tathaa : and also
kartaa : doer
karanam : instruments
cha : and
prithagvidham : several
vividhaahaa : types
cha : and
prithak : various
cheshtaa : movements
daivam : divinity
cha : and
eva : also
atra : in these
panchamam : fifth
Nowadays robots are quite common, and are being used for cleaning home floors as well. For a robot to perform any action, there are at least three factors at work. First is the body of the robot, which will determine things like how fast or how powerful actions can be performed. Second is the instruments of the robot, such as its sensors, its hands, its wheels and so on. Third is the power system of the robot, which typically is electricity but could also be diesel or steam.
Shri Krishna says that whenever a human being performs an action, the same three factors come into play. The size of our body, the state of our instruments (organs of action and organs of sense) and our power system (our praana, our energy and health), each factor is responsible for the fate of our action. But there has to be something that differentiates us from robots, and therefore, two additional factors are mentioned: the kartaa or the doer, and the daivam or divinity.
The fourth component known as the kartaa, the doer, also known as the sense of agency, is nothing but the notion of finitude within us, what we normally term as the "I". When our intellect plans an action, we say, "I am thinking" instead of saying "the intellect is thinking". When our hand is performing the action, we say "I am sweeping the floor" instead of "the hand is sweeping the floor". When our eyes perceive an obstacle, we say "I see a wall" instead of "the eyes see a wall". Seen in this manner, the sense of "I" is quite illusory. For now, we can say that it is the motive behind performance of action that identifies with a certain aspect of the mind or body, a certain upaadhi.
The fifth component of any action is the daivam, the divinity. Unless Ishvara supports an action, it will not result in success. Or we can say that the world, or the universe as a whole, also has a part in determining the outcome of an action. Despite everything executed perfectly at the individual level, it still has to align with the action at the universal level.
vividhaashcha prithakcheshtaa daivam chaivaatra panchamam || 14 ||
The foundation, the doer and several instruments, and the various movements of several types, as well as the divinity, the fifth in these.
adhishthaanam : foundation
tathaa : and also
kartaa : doer
karanam : instruments
cha : and
prithagvidham : several
vividhaahaa : types
cha : and
prithak : various
cheshtaa : movements
daivam : divinity
cha : and
eva : also
atra : in these
panchamam : fifth
Nowadays robots are quite common, and are being used for cleaning home floors as well. For a robot to perform any action, there are at least three factors at work. First is the body of the robot, which will determine things like how fast or how powerful actions can be performed. Second is the instruments of the robot, such as its sensors, its hands, its wheels and so on. Third is the power system of the robot, which typically is electricity but could also be diesel or steam.
Shri Krishna says that whenever a human being performs an action, the same three factors come into play. The size of our body, the state of our instruments (organs of action and organs of sense) and our power system (our praana, our energy and health), each factor is responsible for the fate of our action. But there has to be something that differentiates us from robots, and therefore, two additional factors are mentioned: the kartaa or the doer, and the daivam or divinity.
The fourth component known as the kartaa, the doer, also known as the sense of agency, is nothing but the notion of finitude within us, what we normally term as the "I". When our intellect plans an action, we say, "I am thinking" instead of saying "the intellect is thinking". When our hand is performing the action, we say "I am sweeping the floor" instead of "the hand is sweeping the floor". When our eyes perceive an obstacle, we say "I see a wall" instead of "the eyes see a wall". Seen in this manner, the sense of "I" is quite illusory. For now, we can say that it is the motive behind performance of action that identifies with a certain aspect of the mind or body, a certain upaadhi.
The fifth component of any action is the daivam, the divinity. Unless Ishvara supports an action, it will not result in success. Or we can say that the world, or the universe as a whole, also has a part in determining the outcome of an action. Despite everything executed perfectly at the individual level, it still has to align with the action at the universal level.
Thursday, May 16, 2013
Bhagavad Gita Verse 26, Chapter 17
sadbhaave saadhubhaave cha sadityetatprayujyate |
prashashte karmaani tathaa sacchabdaha paartha yujyate || 26 ||
The word Sat is used in the sense of existence and goodness, and also, O Paartha, the word Sat is added in the sense of an auspicious act.
sadbhaave : Sat as existence
saadhubhaave : Sat as goodness
cha : and
sat : Sat
iti : in this manner
etat : this
prayujyate : used
prashashte : auspicious
karmaani : act
tathaa : also
sat : Sat
shabdaha : word
paartha : O Paartha
yujyate : added
The utterance of Om is used to focus our attention on the action, and the utterance of Tat is used to dedicate the actions and their reward to Ishvara. Even if we do all this, there could be a defect in the way the action is performed. We may have not followed some guidelines, or some external entity may have caused some problem which we may be unaware of. For most of us who are not well versed in the scriptures, is there an easy solution to this problem?
Shri Krishna says that the chanting of the word Sat during the performance of a saattvic action has the effect of removing all the errors and defects of that action. This is why words such as satkarma (good actions) and sadaachaar (good conduct) use sat as a synonym for good. But just purifying an action is not enough. The emotions, the feelings behind the action are equally important. Chanting of the word Sat has the effect of purifying our emotions as well. Words such as sadbhaava (good emotion) and sadguna (good values) illustrate this point.
The real meaning of the word Sat, however,is existence. It is a pointer to brahman, the eternal essence, the one reality. "Naabhaavo vidyate sataha" found in the second chapter of the Gita denotes that Sat, the eternal essence, always exists. It is always complete, without any duality. Therefore, the ultimate goal of uttering Sat is to mentally remove any notions of duality, mentally remove all the upaadhis or limitations, and merge oneself into the one reality, the one eternal essence.
prashashte karmaani tathaa sacchabdaha paartha yujyate || 26 ||
The word Sat is used in the sense of existence and goodness, and also, O Paartha, the word Sat is added in the sense of an auspicious act.
sadbhaave : Sat as existence
saadhubhaave : Sat as goodness
cha : and
sat : Sat
iti : in this manner
etat : this
prayujyate : used
prashashte : auspicious
karmaani : act
tathaa : also
sat : Sat
shabdaha : word
paartha : O Paartha
yujyate : added
The utterance of Om is used to focus our attention on the action, and the utterance of Tat is used to dedicate the actions and their reward to Ishvara. Even if we do all this, there could be a defect in the way the action is performed. We may have not followed some guidelines, or some external entity may have caused some problem which we may be unaware of. For most of us who are not well versed in the scriptures, is there an easy solution to this problem?
Shri Krishna says that the chanting of the word Sat during the performance of a saattvic action has the effect of removing all the errors and defects of that action. This is why words such as satkarma (good actions) and sadaachaar (good conduct) use sat as a synonym for good. But just purifying an action is not enough. The emotions, the feelings behind the action are equally important. Chanting of the word Sat has the effect of purifying our emotions as well. Words such as sadbhaava (good emotion) and sadguna (good values) illustrate this point.
The real meaning of the word Sat, however,is existence. It is a pointer to brahman, the eternal essence, the one reality. "Naabhaavo vidyate sataha" found in the second chapter of the Gita denotes that Sat, the eternal essence, always exists. It is always complete, without any duality. Therefore, the ultimate goal of uttering Sat is to mentally remove any notions of duality, mentally remove all the upaadhis or limitations, and merge oneself into the one reality, the one eternal essence.
Saturday, April 27, 2013
Bhagavad Gita Verse 7, Chapter 17
aahaararastvapi sarvasya trividho bhavati priyaha |
yajnyastapastathaa daanam teshaam bhedamimam shrunu || 7 ||
Food, also, which is dear to all, is of three types, and similarly, sacrifice, penance and charity. Hear this, their distinction.
aahaaraha : food
tu : and
api : also
sarvasya : all
trividhaha : three types
bhavati : is
priyaha : dear
yajnyaha : sacrifice
tapaha : penance
tathaa : similarly
daanam : charity
teshaam : these
bhedam : distinction
imam : this
shrunu : hear
Shri Krishna now begins to explain the method by which we can analyze the texture or the nature of our faith. The principle here is to assess the attitude with which we perform actions. The type of attitude maintained while performing an action will reveal whether our faith is saatvic, raajasic or taamasic. Shri Krishna covers the entire spectrum of actions performed by us with just four categories: our intake of food, sacrifice, penance and charity. To better understand these categories, we need to understand the underlying symbolic meaning.
We have come across broader meaning of the term yajnya or sacrifice in karma yoga. It refers to any action or transaction with another person or object while adhering to our duty. If we are an accountant by profession, then earning a livelihood as an accountant becomes a yajyna or sacrifice. Next, tapas or penance is the means by which we conserve energy needed to perform our duties. A scientist will give up innumerable opportunities to party because he is performing an experiment in his lab in the night. This is penance. Daanam or charity refers to the donation of excess wealth accumulated while performing our duties. The act of charity helps reduce our level of lobha or greed.
The intake of food or aahaara is given its own category. It different than sacrifice, penance or austerity for a couple of reasons. Any action performed towards feeding the body gives its phala, its result, immediately. But any other type of action gives its result much later. Furthermore, the result of feeding our body is restricted to the body, not to anything or anyone else. That is why people who are very diligent in their duties can become lax in their dietary habits. Food is analyzed in great detail in the next three shlokas.
yajnyastapastathaa daanam teshaam bhedamimam shrunu || 7 ||
Food, also, which is dear to all, is of three types, and similarly, sacrifice, penance and charity. Hear this, their distinction.
aahaaraha : food
tu : and
api : also
sarvasya : all
trividhaha : three types
bhavati : is
priyaha : dear
yajnyaha : sacrifice
tapaha : penance
tathaa : similarly
daanam : charity
teshaam : these
bhedam : distinction
imam : this
shrunu : hear
Shri Krishna now begins to explain the method by which we can analyze the texture or the nature of our faith. The principle here is to assess the attitude with which we perform actions. The type of attitude maintained while performing an action will reveal whether our faith is saatvic, raajasic or taamasic. Shri Krishna covers the entire spectrum of actions performed by us with just four categories: our intake of food, sacrifice, penance and charity. To better understand these categories, we need to understand the underlying symbolic meaning.
We have come across broader meaning of the term yajnya or sacrifice in karma yoga. It refers to any action or transaction with another person or object while adhering to our duty. If we are an accountant by profession, then earning a livelihood as an accountant becomes a yajyna or sacrifice. Next, tapas or penance is the means by which we conserve energy needed to perform our duties. A scientist will give up innumerable opportunities to party because he is performing an experiment in his lab in the night. This is penance. Daanam or charity refers to the donation of excess wealth accumulated while performing our duties. The act of charity helps reduce our level of lobha or greed.
The intake of food or aahaara is given its own category. It different than sacrifice, penance or austerity for a couple of reasons. Any action performed towards feeding the body gives its phala, its result, immediately. But any other type of action gives its result much later. Furthermore, the result of feeding our body is restricted to the body, not to anything or anyone else. That is why people who are very diligent in their duties can become lax in their dietary habits. Food is analyzed in great detail in the next three shlokas.
Friday, March 8, 2013
Bhagavad Gita Verse 3, Chapter 15
na roopamasyeha tathaapalabhyate naanto na chaadirna cha sampratishthaa |
ashvatthamenam suviroodhamoolamsangashastrena dridhena chhittvaa || 3 ||
Its form is not available here, neither its beginning nor its end, not its existence. Having cut this firm-rooted Ashvattha tree using the robust weapon of dispassion.
na : not
roopam : form
asya : this
iha : here
tathaa : like
upalabhyate : available
na : no
antaha : end
na : not
cha : and
aadihi : beginning
na : not
cha : and
sampratishthaa : existence
ashvattham : ashvattha tree
suviroodhamoolam : with firm roots
asangashastrena : weapon of dispassion
dridhena : robust
chittvaa : having cut
Most of us love to see the image of planet earth from space. The majesty of that image captured by countless satellites over the years never fails to attract us. But without those satellites, we would never know that the earth looks like it does, because we did not have the means to see the big picture by oursleves. Or take a factory worker employed in a multi billion dollar multinational. All he gets to see is his machine for eight to ten hours a day. Except the CEO and a few other senior people, no one has the big picture view of the complex organization available.
Similarly, Shri Krishna says that most of us do not have the big picture view of our existence in this world. We simply live out our lives in the endless chain of attraction to sense objects, desire, action, result and further desire. To lift us out of this narrow view of life, he very compassionately gives us the illustration of the tree of samsaara in the previous two shlokas.
He very clearly states that no matter who we are, whether rich or poor, educated or uneducated, fit or sick, we are all entangled in this upside down tree of samsaara. We never see our existence as it really is. We do not see its beginning, middle or end. It is in fact, a gigantic illusion that has been given reality due to the long standing ignorance of our true nature.
The message of this shloka carries over into the next shloka.
ashvatthamenam suviroodhamoolamsangashastrena dridhena chhittvaa || 3 ||
Its form is not available here, neither its beginning nor its end, not its existence. Having cut this firm-rooted Ashvattha tree using the robust weapon of dispassion.
na : not
roopam : form
asya : this
iha : here
tathaa : like
upalabhyate : available
na : no
antaha : end
na : not
cha : and
aadihi : beginning
na : not
cha : and
sampratishthaa : existence
ashvattham : ashvattha tree
suviroodhamoolam : with firm roots
asangashastrena : weapon of dispassion
dridhena : robust
chittvaa : having cut
Most of us love to see the image of planet earth from space. The majesty of that image captured by countless satellites over the years never fails to attract us. But without those satellites, we would never know that the earth looks like it does, because we did not have the means to see the big picture by oursleves. Or take a factory worker employed in a multi billion dollar multinational. All he gets to see is his machine for eight to ten hours a day. Except the CEO and a few other senior people, no one has the big picture view of the complex organization available.
Similarly, Shri Krishna says that most of us do not have the big picture view of our existence in this world. We simply live out our lives in the endless chain of attraction to sense objects, desire, action, result and further desire. To lift us out of this narrow view of life, he very compassionately gives us the illustration of the tree of samsaara in the previous two shlokas.
He very clearly states that no matter who we are, whether rich or poor, educated or uneducated, fit or sick, we are all entangled in this upside down tree of samsaara. We never see our existence as it really is. We do not see its beginning, middle or end. It is in fact, a gigantic illusion that has been given reality due to the long standing ignorance of our true nature.
The message of this shloka carries over into the next shloka.
Wednesday, February 20, 2013
Bhagavad Gita Verse 15, Chapter 14
rajasi pralayam gatvaa karmasangishu jaayate |
tathaa praleenastamasi moodhayonishu jaayate || 15 ||
One who has reached his end in rajas is born among those attached to action, and one who is dying in tamas is born in the wombs of the ignorant.
rajasi : rajas
pralayam : end
gatvaa : one who has reached
karmasangishu : those who are attached to action
jaayate : born
tathaa : and
praleenaha : one who is dying
tamasi : tamas
moodhayonishu : ignorant wombs
jaayate : born
Previously, Shri Krishna explained the fate of one whose mental state is sattvic at the end of his life. Here, he says that one whose mental state is rajasic while dying is reborn in a family of action oriented individuals. Also, one whose mental state is tamasic while dying is reborn in the wombs of the ignorant and the inert. This includes plants, trees, creepers, birds, insects and other animals.
It is not just the mental state that determines one’s fate in the next life. Every action we perform leaves impressions in our mind, which also impacts our fate. One who has performed selfless actions throughout their life is born in a virtuous family. One who has performed selfish actions is born with a tendency to get attached to material objects. And one who has performed harmful actions is born with devilish tendencies. Such a person will not stop at anything to get their way, including physically harming others. In their current life and in their next life, it is totally up to each individual to cultivate their discrimination through selfless service, devotion and company of devotees so that they can counteract the effect of excessive rajas.
The Srimad Bhagavatam tells the story of the illustrious king Bharata who was one of the most sattvic individuals of his time. Through extreme attachment to his pet deer, he became steeped in tamas, and was born as a deer in his next life. But due to the selfless actions performed in his life as a king, he developed a degree of renunciation not even found in humans. He was finally born as a highly sattvic human who ultimately achieved liberation. Shri Krishna repeatedly urges us to employ rajas to perform selfless service, and cultivate sattva through reducing selfish activities.
tathaa praleenastamasi moodhayonishu jaayate || 15 ||
One who has reached his end in rajas is born among those attached to action, and one who is dying in tamas is born in the wombs of the ignorant.
rajasi : rajas
pralayam : end
gatvaa : one who has reached
karmasangishu : those who are attached to action
jaayate : born
tathaa : and
praleenaha : one who is dying
tamasi : tamas
moodhayonishu : ignorant wombs
jaayate : born
Previously, Shri Krishna explained the fate of one whose mental state is sattvic at the end of his life. Here, he says that one whose mental state is rajasic while dying is reborn in a family of action oriented individuals. Also, one whose mental state is tamasic while dying is reborn in the wombs of the ignorant and the inert. This includes plants, trees, creepers, birds, insects and other animals.
It is not just the mental state that determines one’s fate in the next life. Every action we perform leaves impressions in our mind, which also impacts our fate. One who has performed selfless actions throughout their life is born in a virtuous family. One who has performed selfish actions is born with a tendency to get attached to material objects. And one who has performed harmful actions is born with devilish tendencies. Such a person will not stop at anything to get their way, including physically harming others. In their current life and in their next life, it is totally up to each individual to cultivate their discrimination through selfless service, devotion and company of devotees so that they can counteract the effect of excessive rajas.
The Srimad Bhagavatam tells the story of the illustrious king Bharata who was one of the most sattvic individuals of his time. Through extreme attachment to his pet deer, he became steeped in tamas, and was born as a deer in his next life. But due to the selfless actions performed in his life as a king, he developed a degree of renunciation not even found in humans. He was finally born as a highly sattvic human who ultimately achieved liberation. Shri Krishna repeatedly urges us to employ rajas to perform selfless service, and cultivate sattva through reducing selfish activities.
Friday, February 15, 2013
Bhagavad Gita Verse 10, Chapter 14
rajastamaschaabhibhooya sattvam bhavati bhaarata |
rajaha sattvam tamaschaiva tamaha sattvam rajastathaa || 10 ||
Sattva rises, O Bhaarata, when it overpowers rajas and tamas, so does rajas overpower sattva and tamas, and also tamas overpowers sattva and rajas.
rajas : rajas
tamas : tamas
cha : and
abhibhooya : overpowers
sattvam : sattva
bhavati : rises
bhaarata : O Bhaarata
rajaha : rajas
sattvam : sattva
tamas : tamas
cha : and
eva : similarly
tamaha : tamas
sattvam : sattva
rajas : rajas
tathaa : similarly
Now that we have a basic understanding of the properties of the three gunaas, we need to go one level deeper. We know that our mind is always under the influence of the three gunaas, since it is made up of those very three gunaas. How do these three gunaas impact the mind? Do they work in parallel or do they work in sequence? Is there any one gunaa that is more powerful than the other?
Shri Krishna says that our mind can only be under the impact of one gunaa at a time. This happens when one gunaa assumes dominance, and consequently, asserts its authority over the others. When sattva is dominant, it dominates over rajas and tamas. Similarly, rajas dominates over the other two and tamas over the other two. All three gunaas are at war with each other in our mind. When one gunaa achieves victory, it temporarily defeats the others.
Having known this, we now would like to know which gunaa within us dominates more than others. This is not an easy question to answer, because we have to analyze ourselves and not anyone else. We need to look within. We need to understand what thoughts, feelings and emotions should we watch out for so that we can tie them back to a specific gunaa. If we conduct this analysis for a while, we will know which gunaa predominates. Shri Krishna expands on the topic of the marks or signs of each gunaa in the next shloka.
rajaha sattvam tamaschaiva tamaha sattvam rajastathaa || 10 ||
Sattva rises, O Bhaarata, when it overpowers rajas and tamas, so does rajas overpower sattva and tamas, and also tamas overpowers sattva and rajas.
rajas : rajas
tamas : tamas
cha : and
abhibhooya : overpowers
sattvam : sattva
bhavati : rises
bhaarata : O Bhaarata
rajaha : rajas
sattvam : sattva
tamas : tamas
cha : and
eva : similarly
tamaha : tamas
sattvam : sattva
rajas : rajas
tathaa : similarly
Now that we have a basic understanding of the properties of the three gunaas, we need to go one level deeper. We know that our mind is always under the influence of the three gunaas, since it is made up of those very three gunaas. How do these three gunaas impact the mind? Do they work in parallel or do they work in sequence? Is there any one gunaa that is more powerful than the other?
Shri Krishna says that our mind can only be under the impact of one gunaa at a time. This happens when one gunaa assumes dominance, and consequently, asserts its authority over the others. When sattva is dominant, it dominates over rajas and tamas. Similarly, rajas dominates over the other two and tamas over the other two. All three gunaas are at war with each other in our mind. When one gunaa achieves victory, it temporarily defeats the others.
Having known this, we now would like to know which gunaa within us dominates more than others. This is not an easy question to answer, because we have to analyze ourselves and not anyone else. We need to look within. We need to understand what thoughts, feelings and emotions should we watch out for so that we can tie them back to a specific gunaa. If we conduct this analysis for a while, we will know which gunaa predominates. Shri Krishna expands on the topic of the marks or signs of each gunaa in the next shloka.
Sunday, February 3, 2013
Bhagavad Gita Verse 33, Chapter 13
yathaa prakaashayatyekaha kritsnam lokamimam ravihi |
kshetram kshetree tathaa kritsnam prakaashayati bhaarata || 33 ||
Just as the one sun illumines the entire world, so does the knower of the field illumine the entire field, O Bhaarata.
yathaa : just as
prakaashayati : illumines
ekaha : the one
kritsnam : entire
lokam : world
imam : this
ravihi : sun
kshetram : field
kshetree : knower of the field
tathaa : so does
kritsnam : entire
prakaashayati : illumines
bhaarata : O Bhaarata
The example of space in the previous shloka was meant to illustrate the unaffected and untainted nature of the self. In this shloka, the example of the sun is given to highlight the actionless nature of the self. The sun is located millions of miles away from the earth, yet it enables life on earth to exist. Minerals, plants, animals and humans, everything and every being survives only from the sun’s energy. But the sun never acts. All of the actions happen on our planet distinct and separate from the sun.
Shri Krishna says that the self in us, the "I" in us is similar in nature to the sun. The self or the knower of the field, the kshetrajnya, illumines or knows the actions taking place in the kshetra, the field, our body, which is a part of Prakriti. Furthermore, the self does not take on the notion of pride or doership in the actions of the body, neither does it get differentiated due to the differences or modifications of Prakriti, just like the sun never claims doership nor gets differentiated due to the variety of form on our planet.
So, if the self is the sole knower of all of the actions in our body, how does our intellect know things? With respect to the analogy of the sun, the intellect can be compared to a pool of water that reflects the light of the sun. The intellect is just an instrument that functions due to tje knowledge of the self. If the intellect is calm and steady, it works perfectly in interpreting the information sent to it from the mind and senses. If it is agitated or dull, it cannot work perfectly, just like the sun’s reflection is disturbed when the pool of water is agitated or muddy.
Here, Shri Krishna asserts that the self is of the nature of "chit". It is knowledge, awareness, consciousness personified.
kshetram kshetree tathaa kritsnam prakaashayati bhaarata || 33 ||
Just as the one sun illumines the entire world, so does the knower of the field illumine the entire field, O Bhaarata.
yathaa : just as
prakaashayati : illumines
ekaha : the one
kritsnam : entire
lokam : world
imam : this
ravihi : sun
kshetram : field
kshetree : knower of the field
tathaa : so does
kritsnam : entire
prakaashayati : illumines
bhaarata : O Bhaarata
The example of space in the previous shloka was meant to illustrate the unaffected and untainted nature of the self. In this shloka, the example of the sun is given to highlight the actionless nature of the self. The sun is located millions of miles away from the earth, yet it enables life on earth to exist. Minerals, plants, animals and humans, everything and every being survives only from the sun’s energy. But the sun never acts. All of the actions happen on our planet distinct and separate from the sun.
Shri Krishna says that the self in us, the "I" in us is similar in nature to the sun. The self or the knower of the field, the kshetrajnya, illumines or knows the actions taking place in the kshetra, the field, our body, which is a part of Prakriti. Furthermore, the self does not take on the notion of pride or doership in the actions of the body, neither does it get differentiated due to the differences or modifications of Prakriti, just like the sun never claims doership nor gets differentiated due to the variety of form on our planet.
So, if the self is the sole knower of all of the actions in our body, how does our intellect know things? With respect to the analogy of the sun, the intellect can be compared to a pool of water that reflects the light of the sun. The intellect is just an instrument that functions due to tje knowledge of the self. If the intellect is calm and steady, it works perfectly in interpreting the information sent to it from the mind and senses. If it is agitated or dull, it cannot work perfectly, just like the sun’s reflection is disturbed when the pool of water is agitated or muddy.
Here, Shri Krishna asserts that the self is of the nature of "chit". It is knowledge, awareness, consciousness personified.
Saturday, February 2, 2013
Bhagavad Gita Verse 32, Chapter 13
yathaa sarvagatam saukshmyaadaakaasham nopalipyate |
sarvatraavasthito dehe tathaatmaa nopalipyate || 32 ||
Just as all-pervading space, being subtle, is not tainted, so is the self, situated everywhere in any body, not tainted.
yathaa : just as
sarvagatam : all pervading
saukshmyaat : being subtle
aakaasham : space
na : not
upalipyate : tainted
sarvatra : everywhere
avasthitaha : situated
dehe : body
tathaa : so
aatmaa : self
na : not
upalipyate : tainted
Many scriptures, including the Srimad Bhagavatam, describe the creation of the five great elements. Space was created first, followed by air, fire, water and then earth, each more tangible and visible than the one preceding it. Space, therefore, is the subtlest of elements. Its main property is indivisibility. We may put up walls and differentiate "my room" from "your room", but the wall does not actually divide space at all. The wall is an upaadhi, something that mentally limits space, but cannot ever limit space in reality.
Another property of space that it is unaffected by whatever it contains. You can throw dust, water, glue, perfume, odour, anything at all into space, yet it remains unaffected. The air in a room may get affected by perfume or odour, not space. But more fundamentally, space provides existence to everything. Without space, no object can ever exist.
Shri Krishna says that the self is similar to space in these aspects. Like space is as though divided into rooms, the self is one but appears as though residing differently in different bodies. Like space never gets tainted by whatever is thrown at it, the self never gets impacted by the results, reactions, experiences and consequences of any action. All actions and reactions stay in the realm of Prakriti. And when we say statements like "this pot is round", we should note that we cannot use the word "is" without realizing that the "is" is the "sat" or existence aspect of the self.
How should we bring this teaching into our life? Ultimately, all of us are craving for independence of one form or the other. For instance, the incessant drive to earn more wealth is towards gaining financial independence. Shri Krishna says that once we know that the self in us, the "I" in us is totally unaffected by any reaction or experience of the world, we will gain the highest and utmost level of independence, which is moksha or liberation. We just have to work at removing the ignorance of our true nature, which can only happen if we disassociate from Prakriti and associate with Ishvara.
sarvatraavasthito dehe tathaatmaa nopalipyate || 32 ||
Just as all-pervading space, being subtle, is not tainted, so is the self, situated everywhere in any body, not tainted.
yathaa : just as
sarvagatam : all pervading
saukshmyaat : being subtle
aakaasham : space
na : not
upalipyate : tainted
sarvatra : everywhere
avasthitaha : situated
dehe : body
tathaa : so
aatmaa : self
na : not
upalipyate : tainted
Many scriptures, including the Srimad Bhagavatam, describe the creation of the five great elements. Space was created first, followed by air, fire, water and then earth, each more tangible and visible than the one preceding it. Space, therefore, is the subtlest of elements. Its main property is indivisibility. We may put up walls and differentiate "my room" from "your room", but the wall does not actually divide space at all. The wall is an upaadhi, something that mentally limits space, but cannot ever limit space in reality.
Another property of space that it is unaffected by whatever it contains. You can throw dust, water, glue, perfume, odour, anything at all into space, yet it remains unaffected. The air in a room may get affected by perfume or odour, not space. But more fundamentally, space provides existence to everything. Without space, no object can ever exist.
Shri Krishna says that the self is similar to space in these aspects. Like space is as though divided into rooms, the self is one but appears as though residing differently in different bodies. Like space never gets tainted by whatever is thrown at it, the self never gets impacted by the results, reactions, experiences and consequences of any action. All actions and reactions stay in the realm of Prakriti. And when we say statements like "this pot is round", we should note that we cannot use the word "is" without realizing that the "is" is the "sat" or existence aspect of the self.
How should we bring this teaching into our life? Ultimately, all of us are craving for independence of one form or the other. For instance, the incessant drive to earn more wealth is towards gaining financial independence. Shri Krishna says that once we know that the self in us, the "I" in us is totally unaffected by any reaction or experience of the world, we will gain the highest and utmost level of independence, which is moksha or liberation. We just have to work at removing the ignorance of our true nature, which can only happen if we disassociate from Prakriti and associate with Ishvara.
Wednesday, January 30, 2013
Bhagavad Gita Verse 29, Chapter 13
prakityaiva cha karmaani kriyamaanaani sarvashaha |
yaha pashyati tathaatmaanamakartaaram sa pashyati || 29 ||
One who sees all actions as performed by Prakriti alone, and the self as actionless, he sees (clearly).
prakityaa : by Prakriti
eva : alone
cha : and
karmaani : actions
kriyamaanaani : performed
sarvashaha : all
yaha : one who
pashyati : sees
tathaa : and
aatmaanam : self
akartaaram : actionless
saha : he
pashyati : sees
Imagine that a toddler sees a phone for the first time. He is fascinated each time it rings, and mistakenly thinks that by raising his hand, he makes the phone ring. But, if an adult has a never-ending fascination with a phone ringing, or has a mistaken notion about why it rings, we will think that there is something wrong with him. If an adult is overly fascinated by machines, it is because he lets the three gunaas of Prakriti still entice him, attract him. In general, once we know how a machine works, we are not overly fascinated or concerned with it.
Shri Krishna says that one who has truly assimilated the teaching of the Gita knows that actions, reactions, emotions, thought, logic, all these happen in the realm of Prakriti. Just like we lose fascination for machines once we know how they work, we should gradually stop being fascinated by Prakriti which is nothing but a machine that belongs to Ishvara. If this understanding seeps in, the shocks of world that we face daily will slowly lose their ability to shake us. We will perform our duties with our full attention and dedication so that we can exhaust our selfish desires, but leave the reactions and results to Ishvara because it is all happening in his Prakriti, his machine.
How do we go about doing this? The path to reduce our fascination with Prakriti is to increase our fascination with Ishvara. We do this by hearing stories of Ishvara, by attending satsanga, by associating with people who are devotees of Ishvara. The Gita itself contains chapters on the glory of Ishvara’s vibhootis, which can be read as daily meditations. Eventually, we begin to see the entire universe as part of Ishvara’s vishvaroopa, his universal form.
Now, even if we develop detachment towards the actions of Prakriti, our senses still get fascinated by variety, colour, form, diversity created by it. How do we deal with this aspect of Prakriti? Shri Krishna covers this next.
yaha pashyati tathaatmaanamakartaaram sa pashyati || 29 ||
One who sees all actions as performed by Prakriti alone, and the self as actionless, he sees (clearly).
prakityaa : by Prakriti
eva : alone
cha : and
karmaani : actions
kriyamaanaani : performed
sarvashaha : all
yaha : one who
pashyati : sees
tathaa : and
aatmaanam : self
akartaaram : actionless
saha : he
pashyati : sees
Imagine that a toddler sees a phone for the first time. He is fascinated each time it rings, and mistakenly thinks that by raising his hand, he makes the phone ring. But, if an adult has a never-ending fascination with a phone ringing, or has a mistaken notion about why it rings, we will think that there is something wrong with him. If an adult is overly fascinated by machines, it is because he lets the three gunaas of Prakriti still entice him, attract him. In general, once we know how a machine works, we are not overly fascinated or concerned with it.
Shri Krishna says that one who has truly assimilated the teaching of the Gita knows that actions, reactions, emotions, thought, logic, all these happen in the realm of Prakriti. Just like we lose fascination for machines once we know how they work, we should gradually stop being fascinated by Prakriti which is nothing but a machine that belongs to Ishvara. If this understanding seeps in, the shocks of world that we face daily will slowly lose their ability to shake us. We will perform our duties with our full attention and dedication so that we can exhaust our selfish desires, but leave the reactions and results to Ishvara because it is all happening in his Prakriti, his machine.
How do we go about doing this? The path to reduce our fascination with Prakriti is to increase our fascination with Ishvara. We do this by hearing stories of Ishvara, by attending satsanga, by associating with people who are devotees of Ishvara. The Gita itself contains chapters on the glory of Ishvara’s vibhootis, which can be read as daily meditations. Eventually, we begin to see the entire universe as part of Ishvara’s vishvaroopa, his universal form.
Now, even if we develop detachment towards the actions of Prakriti, our senses still get fascinated by variety, colour, form, diversity created by it. How do we deal with this aspect of Prakriti? Shri Krishna covers this next.
Saturday, January 19, 2013
Bhagavad Gita Verse 18, Chapter 13
iti kshetram tathaa jnyaanam jneyam choktam samaasataha |
madbhakta etadvijnyaaya madbhaavaayopapadyate || 18 ||
In this manner, the field, as well as knowledge, and that which is to be known, has been described in brief. By understanding this, my devotee becomes qualified to attain my state.
iti : in this manner
kshetram : the field
tathaa : as well as
jnyaanam : knowledge
jneyam : which is to be known
cha : and
uktam : has been described
samaasataha : in brief
madbhaktaha : my devotee
etat : this
vijnyaaya : understanding
madbhaavaaya : my state
upapadyate : qualified
Shri Krishna concludes the current topic in this shloka. He spoke about “kshetra”, the field, in shlokas five and six. The field comprises twenty four aspects which are the building blocks of the universe. This includes the five great elements, the intellect and others. The field also comprises seven modifications by which the individual comes into contact with the world. These include desire, hatred and others. The field works like a machine, but is devoid of awareness in itself and is inert. It need to borrow awareness from some other source. This source is the eternal essence, it is “jneyam”, that which is to be known. The field acts as an upaadhi, something which as though limits and conditions the eternal essence.
If we are attracted by the dance of an ocean’s waves, we will never be able to appreciate the grandeur and beauty of the entire ocean, because our attention will be on the waves which are upaadhis that as though limit our understanding of the ocean. Similarly, if we need to understand the eternal essence, we have to learn how to gradually minimize the impact of the upaadhis of the field, and shift our attention to the eternal essence. “Jnyaanam”, the means of knowledge that enables us to mentally remove these upaadhis, is elaborated in shlokas seven to eleven.
Once we have learnt how to mentally remove upaadhis, we are ready to understand the eternal essence. From shlokas twelve to seventeen, Shri Krishna uses paradoxes and contradictions to explain the nature of the eternal essence. Our intellect is a product of the field, and will never grasp what the eternal essence is. Paradoxical statements like “it is near, yet it is far” are used so that our intellect doesn’t mistakenly turn the eternal essence into yet another concept.
Shri Krishna says that those who have inquired into the eternal essence in the manner prescribed above are qualified to attain the state of Ishvara, which is liberation. But this state cannot be attained unless we become devotees of Ishvara. A devotee means one who knows that whatever he sees, hears or touches is nothing but Ishvara, and that Ishvara is residing in him as his self. Only one who has such a firm conviction through meditation that everything, including himself, is ultimately Ishvara, will attain liberation.
Now, does all this explanation help me understand what ultimately causes me to experience sorrow in my life? In the next shloka, Shri Krishna begins a new topic to explain this issue in detail.
madbhakta etadvijnyaaya madbhaavaayopapadyate || 18 ||
In this manner, the field, as well as knowledge, and that which is to be known, has been described in brief. By understanding this, my devotee becomes qualified to attain my state.
iti : in this manner
kshetram : the field
tathaa : as well as
jnyaanam : knowledge
jneyam : which is to be known
cha : and
uktam : has been described
samaasataha : in brief
madbhaktaha : my devotee
etat : this
vijnyaaya : understanding
madbhaavaaya : my state
upapadyate : qualified
Shri Krishna concludes the current topic in this shloka. He spoke about “kshetra”, the field, in shlokas five and six. The field comprises twenty four aspects which are the building blocks of the universe. This includes the five great elements, the intellect and others. The field also comprises seven modifications by which the individual comes into contact with the world. These include desire, hatred and others. The field works like a machine, but is devoid of awareness in itself and is inert. It need to borrow awareness from some other source. This source is the eternal essence, it is “jneyam”, that which is to be known. The field acts as an upaadhi, something which as though limits and conditions the eternal essence.
If we are attracted by the dance of an ocean’s waves, we will never be able to appreciate the grandeur and beauty of the entire ocean, because our attention will be on the waves which are upaadhis that as though limit our understanding of the ocean. Similarly, if we need to understand the eternal essence, we have to learn how to gradually minimize the impact of the upaadhis of the field, and shift our attention to the eternal essence. “Jnyaanam”, the means of knowledge that enables us to mentally remove these upaadhis, is elaborated in shlokas seven to eleven.
Once we have learnt how to mentally remove upaadhis, we are ready to understand the eternal essence. From shlokas twelve to seventeen, Shri Krishna uses paradoxes and contradictions to explain the nature of the eternal essence. Our intellect is a product of the field, and will never grasp what the eternal essence is. Paradoxical statements like “it is near, yet it is far” are used so that our intellect doesn’t mistakenly turn the eternal essence into yet another concept.
Shri Krishna says that those who have inquired into the eternal essence in the manner prescribed above are qualified to attain the state of Ishvara, which is liberation. But this state cannot be attained unless we become devotees of Ishvara. A devotee means one who knows that whatever he sees, hears or touches is nothing but Ishvara, and that Ishvara is residing in him as his self. Only one who has such a firm conviction through meditation that everything, including himself, is ultimately Ishvara, will attain liberation.
Now, does all this explanation help me understand what ultimately causes me to experience sorrow in my life? In the next shloka, Shri Krishna begins a new topic to explain this issue in detail.
Thursday, December 27, 2012
Bhagavad Gita Verse 18, Chapter 12
samaha shatrau cha mitre cha tathaa maanaapamaanayoho |
sheetoshnasukhaduhkheshu samaha sangavarjitaha || 18 ||
He who is alike to friend and foe, in honour and dishonour, and also alike in cold and heat, in joy and sorrow, without attachment...
samaha : alike
shatrau : foe
cha : and
mitre : friend
cha : and
tathaa : also
maanaapamaanayoho : in honour and dishounour
sheetoshnasukhaduhkheshu : in cold and heat as well as joy and sorrow
samaha : alike
sangavarjitaha : without attachment
In this shloka and the next, Shri Krishna begins to summarize the signs of a perfected devotee. By using the word "samaha" twice, he emphasizes equanimity and stability of the devotee's antahakarana or inner instrument that is made possible through intense devotion to Ishvara. Right from the second chapter, we have repeatedly heard about the importance of bringing equanimity to the inner instrument, which is made up of our intellect, our mind and senses, our ego and our memory. Just like an astronomer can see extremely faint light from stars that are millions of miles away using his telescope, we can experience the eternal essence only if our inner instrument is free of desires and agitations caused by the reactions mentioned in this and the next shloka.
Our inner equipment contacts the world through the sense organs. The skin, for example, experiences heat and cold. This reporting of hotness or coolness is akin to a thermometer in that it is extremely objective and factual. When this sensation travels to the mind, however, it can be interpreted either as joy or sorrow based on inputs from other sense organs and from the memory. If the skin sends a message of hotness, the mind feels joy in winter and sorrow in summer. Similarly, sounds are picked up by the ear, sent to the mind which compares them against its memory to generate words. If the words enhance the ego, the "doer" notion in the intellect, registers a sense of honour. If the words bring down the ego, the intellect registers dishonour.
What causes the intellect and the mind to attach all these positive and negative reactions to simple messages that come from the skin and the ears and so on? It is the degree of attachment or identification of the ego. If the ego is heavily attached to the body, for example, then any comment about the body will generate a strong positive or negative reaction in the mind, disturbing its sense of equanimity in the process.
But one who has removed his attachment from the body/mind/intellect and attached himself to the service of Ishvara does not generate strong positive or negative reactions. He considers his body as a part of Ishvara's creation, therefore there is very little sense of egoism when it comes to the body, mind or intellect. When someone criticizes a devotee's body, it is like someone is criticizing a random object that the devotee has no connection with, and hence, no strong positive or negative reaction is generated.
The message of this shloka concludes in the following shloka.
sheetoshnasukhaduhkheshu samaha sangavarjitaha || 18 ||
He who is alike to friend and foe, in honour and dishonour, and also alike in cold and heat, in joy and sorrow, without attachment...
samaha : alike
shatrau : foe
cha : and
mitre : friend
cha : and
tathaa : also
maanaapamaanayoho : in honour and dishounour
sheetoshnasukhaduhkheshu : in cold and heat as well as joy and sorrow
samaha : alike
sangavarjitaha : without attachment
In this shloka and the next, Shri Krishna begins to summarize the signs of a perfected devotee. By using the word "samaha" twice, he emphasizes equanimity and stability of the devotee's antahakarana or inner instrument that is made possible through intense devotion to Ishvara. Right from the second chapter, we have repeatedly heard about the importance of bringing equanimity to the inner instrument, which is made up of our intellect, our mind and senses, our ego and our memory. Just like an astronomer can see extremely faint light from stars that are millions of miles away using his telescope, we can experience the eternal essence only if our inner instrument is free of desires and agitations caused by the reactions mentioned in this and the next shloka.
Our inner equipment contacts the world through the sense organs. The skin, for example, experiences heat and cold. This reporting of hotness or coolness is akin to a thermometer in that it is extremely objective and factual. When this sensation travels to the mind, however, it can be interpreted either as joy or sorrow based on inputs from other sense organs and from the memory. If the skin sends a message of hotness, the mind feels joy in winter and sorrow in summer. Similarly, sounds are picked up by the ear, sent to the mind which compares them against its memory to generate words. If the words enhance the ego, the "doer" notion in the intellect, registers a sense of honour. If the words bring down the ego, the intellect registers dishonour.
What causes the intellect and the mind to attach all these positive and negative reactions to simple messages that come from the skin and the ears and so on? It is the degree of attachment or identification of the ego. If the ego is heavily attached to the body, for example, then any comment about the body will generate a strong positive or negative reaction in the mind, disturbing its sense of equanimity in the process.
But one who has removed his attachment from the body/mind/intellect and attached himself to the service of Ishvara does not generate strong positive or negative reactions. He considers his body as a part of Ishvara's creation, therefore there is very little sense of egoism when it comes to the body, mind or intellect. When someone criticizes a devotee's body, it is like someone is criticizing a random object that the devotee has no connection with, and hence, no strong positive or negative reaction is generated.
The message of this shloka concludes in the following shloka.
Monday, December 3, 2012
Bhagavad Gita Verse 50, Chapter 11
Sanjaya uvaacha:
ityarjunam vaasudevastathoktvaa svakam roopam darshayaamaasa bhooyaha |
aashvaasayaamaasa cha bheetamenam bhootvaa punaha saumyavapoormahaatmaa || 50 ||
Sanjaya said:
Then, having said this to Arjuna, Vaasudeva showed his form, and again assuming his pleasant form, reassured the scared one.
iti : this
arjunam : to Arjuna
vaasudevaaha : Vaasudeva
tathaa : in that manner
uktvaa : saying
svakam : his
roopam : form
darshayaamaasa : showed
bhooyaha : then
aashvaasayaamaasa : reassured
cha : and
bheetam : scared one
enam : this
bhootvaa : becoming
punaha : again
saumyavapuhu : pleasant form
mahaatmaa : great one
The eighth chapter in the tenth canto (book) of the Srimad Bhaagavatam describes the ceremony where the sage Garga, in the village of Gokula, gave Shri Krishna the name “Vaasudeva” to indicate that he was the son of Vasudeva. This ceremony was conducted in a low-key manner so as not to arouse the suspicion of the king Kamsa, who had vowed to finish the progeny of Vasudeva. Vaasudeva also means “one who pervades the universe”.
The eight chapter further describes a story of Shri Krishna’s pranks. Several children approached Yashoda to complain that her son, the baby Shri Krishna, was eating dirt. Angrily, she asked Shri Krishna to open his mouth so that she can know whether he was eating dirt. When he opened his mouth, Yashoda saw a glimpse of the cosmic form inside, with all the planets, galaxies, all of time and space in that tiny mouth. She did not see the fearful version of the cosmic form shown to Arjuna. Immediately afterwards, Shri Krishna erased her memory of this incident.
In this shloka, Sanjaya introduced himself in the commentary to indicate that Shri Krishna ended the fearful cosmic form, then assumed his four armed form, and then the pleasant two armed form that Arjuna knew and loved. Shri Krishna held a whip in one hand and the reins of the chariot in another. Just like a father scolds his children and immediately pacifies them, he pacified Arjuna and ensured that his state of mind returned to normal. This is reflected in the next shloka where the chanting meter also reverts back to the “anushtubh chandha”, the default meter for chanting the Gita.
ityarjunam vaasudevastathoktvaa svakam roopam darshayaamaasa bhooyaha |
aashvaasayaamaasa cha bheetamenam bhootvaa punaha saumyavapoormahaatmaa || 50 ||
Sanjaya said:
Then, having said this to Arjuna, Vaasudeva showed his form, and again assuming his pleasant form, reassured the scared one.
iti : this
arjunam : to Arjuna
vaasudevaaha : Vaasudeva
tathaa : in that manner
uktvaa : saying
svakam : his
roopam : form
darshayaamaasa : showed
bhooyaha : then
aashvaasayaamaasa : reassured
cha : and
bheetam : scared one
enam : this
bhootvaa : becoming
punaha : again
saumyavapuhu : pleasant form
mahaatmaa : great one
The eighth chapter in the tenth canto (book) of the Srimad Bhaagavatam describes the ceremony where the sage Garga, in the village of Gokula, gave Shri Krishna the name “Vaasudeva” to indicate that he was the son of Vasudeva. This ceremony was conducted in a low-key manner so as not to arouse the suspicion of the king Kamsa, who had vowed to finish the progeny of Vasudeva. Vaasudeva also means “one who pervades the universe”.
The eight chapter further describes a story of Shri Krishna’s pranks. Several children approached Yashoda to complain that her son, the baby Shri Krishna, was eating dirt. Angrily, she asked Shri Krishna to open his mouth so that she can know whether he was eating dirt. When he opened his mouth, Yashoda saw a glimpse of the cosmic form inside, with all the planets, galaxies, all of time and space in that tiny mouth. She did not see the fearful version of the cosmic form shown to Arjuna. Immediately afterwards, Shri Krishna erased her memory of this incident.
In this shloka, Sanjaya introduced himself in the commentary to indicate that Shri Krishna ended the fearful cosmic form, then assumed his four armed form, and then the pleasant two armed form that Arjuna knew and loved. Shri Krishna held a whip in one hand and the reins of the chariot in another. Just like a father scolds his children and immediately pacifies them, he pacified Arjuna and ensured that his state of mind returned to normal. This is reflected in the next shloka where the chanting meter also reverts back to the “anushtubh chandha”, the default meter for chanting the Gita.
Monday, November 12, 2012
Bhagavad Gita Verse 29, Chapter 11
yathaa pradeeptam jvalanam patangaa vishanti naashaaya samriddhavegaahaa |
tathaiva naashaaya vishanti lokaastavaapi vaktraani samriddhavegaahaa || 29 ||
Like moths enter a blazing fire with great speed for their destruction, so also do these people enter your mouths with great speed for their destruction.
yathaa : like
pradeeptam : blazing
jvalanam : fire
patangaahaa : moths
vishanti : enter
naashaaya : for destruction
samriddhavegaahaa : with great speed
tathaa : so do
eva : only
naashaaya : for destruction
vishanti : enter
lokaaha : these people
tava : your
api : also
vaktraani : mouths
samriddhavegaahaa : with great speed
In the previous shloka, Arjuna gave the example of rivers flowing into the ocean to indicate the ultimate dissolution of all names and forms back to their source, Ishvara. Some may raise a doubt here. They may say, water is inert so naturally it goes wherever the flow takes it. In order to dispel this doubt, Arjuna gives the example of moths that rush towards a flame, and are eventually destroyed. Sant Jnyaneshwar gives the example of water droplets evaporating on a hot iron rod in his commentary.
By showing the process of destruction at such a grand scale, Shri Krishna also wants to remove Arjuna’s fear of death. Since the physical body goes away after death, there is no question of pain once we die. We are scared not about the pain of death, but about losing all of our identity as a so-and so, with all his possessions and attachments. The name-and-form to which we have become attached, and its network of relationships with other names and forms, is what ultimately gets dissolved.
But when we know that death is nothing but a return of our name and form into that of Ishvara’s, our fear of death will go away, or at least, diminish to a great extent. In fact, when we become a devotee of Ishvara, death loses its unpleasantness because now it means a return to the original source of the universe. We begin to lead our lives with a great degree of courage and fearlessness, because we know how it will all end.
tathaiva naashaaya vishanti lokaastavaapi vaktraani samriddhavegaahaa || 29 ||
Like moths enter a blazing fire with great speed for their destruction, so also do these people enter your mouths with great speed for their destruction.
yathaa : like
pradeeptam : blazing
jvalanam : fire
patangaahaa : moths
vishanti : enter
naashaaya : for destruction
samriddhavegaahaa : with great speed
tathaa : so do
eva : only
naashaaya : for destruction
vishanti : enter
lokaaha : these people
tava : your
api : also
vaktraani : mouths
samriddhavegaahaa : with great speed
In the previous shloka, Arjuna gave the example of rivers flowing into the ocean to indicate the ultimate dissolution of all names and forms back to their source, Ishvara. Some may raise a doubt here. They may say, water is inert so naturally it goes wherever the flow takes it. In order to dispel this doubt, Arjuna gives the example of moths that rush towards a flame, and are eventually destroyed. Sant Jnyaneshwar gives the example of water droplets evaporating on a hot iron rod in his commentary.
By showing the process of destruction at such a grand scale, Shri Krishna also wants to remove Arjuna’s fear of death. Since the physical body goes away after death, there is no question of pain once we die. We are scared not about the pain of death, but about losing all of our identity as a so-and so, with all his possessions and attachments. The name-and-form to which we have become attached, and its network of relationships with other names and forms, is what ultimately gets dissolved.
But when we know that death is nothing but a return of our name and form into that of Ishvara’s, our fear of death will go away, or at least, diminish to a great extent. In fact, when we become a devotee of Ishvara, death loses its unpleasantness because now it means a return to the original source of the universe. We begin to lead our lives with a great degree of courage and fearlessness, because we know how it will all end.
Sunday, November 11, 2012
Bhagavad Gita Verse 28, Chapter 11
yathaa nadeenaam bahavombuvegaahaa samudramevaabhimukhaa dravanti |
tathaa tavaamee naralokaveeraa vishanti vaktraanyabhivijvalanti || 28 ||
Like torrents of several rivers rush towards the ocean, so do those brave men of this earth run to your blazing mouths.
yathaa : like
nadeenaam : rivers
bahavaha : several
ambuvegaahaa : torrents
samudram : ocean
eva : only
abhimukhaa : towards
dravanti : rush
tathaa : so do
tava : to you
amee : those
naralokaveeraa : brave men of the earth
vishanti : run
vaktraani : mouths
abhivijvalanti : blazing
Putumayo, Caqueta, Vaupes, Guainea, Morona, Pastaza, Nucuray, Urituyacu, Chambira, Tigre, Nanay, Napo, and Huallaga. These are names of just a handful of 1100 rivers that feed the Amazon, the largest river in the world by volume. It covers almost 7 million square kilometres of land in South America, and empties 300,000 cubic metres per second into the Atlantic Ocean. The most distant source of the Andes is a glacier on the western edge of South America, near the Pacific Ocean, on the other side of the continent.
Arjuna, on seeing the hordes of warriors rushing into Ishvara’s mouths, compares them to the water in a river rushing with great speed into the ocean. It reminds him of Shri Krishna’s description of the water cycle as a sacrifice when he was explaining karma yoga. A drop of water which originated from the ocean evaporates into the sky, falls down as rain into a water body, and eventually finds its way into a flowing river that goes right back into its source, the ocean. At one point it thinks that it is rain, or it is a pond, a lake, a stream and so on, forgetting its true nature as water.
Similarly, we tend to think of ourselves as children, students, engineers, executives, rich people, poor people at different points in our lives, and forgetting that our journey is just a cycle that begins from Ishvara, the source, and ends back into that same source. So even though Arjuna was scared of Ishvara’s monstrous form, he understood that there was nothing to be scared about destruction. It was a bona fide part of Ishvara’s creative process.
Arjuna illustrates another aspect of this scene in the next shloka.
tathaa tavaamee naralokaveeraa vishanti vaktraanyabhivijvalanti || 28 ||
Like torrents of several rivers rush towards the ocean, so do those brave men of this earth run to your blazing mouths.
yathaa : like
nadeenaam : rivers
bahavaha : several
ambuvegaahaa : torrents
samudram : ocean
eva : only
abhimukhaa : towards
dravanti : rush
tathaa : so do
tava : to you
amee : those
naralokaveeraa : brave men of the earth
vishanti : run
vaktraani : mouths
abhivijvalanti : blazing
Putumayo, Caqueta, Vaupes, Guainea, Morona, Pastaza, Nucuray, Urituyacu, Chambira, Tigre, Nanay, Napo, and Huallaga. These are names of just a handful of 1100 rivers that feed the Amazon, the largest river in the world by volume. It covers almost 7 million square kilometres of land in South America, and empties 300,000 cubic metres per second into the Atlantic Ocean. The most distant source of the Andes is a glacier on the western edge of South America, near the Pacific Ocean, on the other side of the continent.
Arjuna, on seeing the hordes of warriors rushing into Ishvara’s mouths, compares them to the water in a river rushing with great speed into the ocean. It reminds him of Shri Krishna’s description of the water cycle as a sacrifice when he was explaining karma yoga. A drop of water which originated from the ocean evaporates into the sky, falls down as rain into a water body, and eventually finds its way into a flowing river that goes right back into its source, the ocean. At one point it thinks that it is rain, or it is a pond, a lake, a stream and so on, forgetting its true nature as water.
Similarly, we tend to think of ourselves as children, students, engineers, executives, rich people, poor people at different points in our lives, and forgetting that our journey is just a cycle that begins from Ishvara, the source, and ends back into that same source. So even though Arjuna was scared of Ishvara’s monstrous form, he understood that there was nothing to be scared about destruction. It was a bona fide part of Ishvara’s creative process.
Arjuna illustrates another aspect of this scene in the next shloka.
Friday, November 9, 2012
Bhagavad Gita Verse 26, Chapter 11
amee cha tvaam dhritaraashtrasya putraahaa sarve sahaivaavanipaalasanghai |
bheeshmo dronaha sootaputrastathaasau sahaasmadeeyairapi yodhamukhyaihi || 26 ||
And all the sons of Dhritaraashtra, with bands of warrior kings, and also Bheeshma, Drona, and also that son of Soota, along with our prime warriors..
amee : these
cha : and
tvaam : you
dhritaraashtrasya : of Dhritaraashtra
putraahaa : sons
sarve : all
saha : with
eva : only
avanipaala : warrior kings
sanghai : bands of
bheeshmaha : Bheeshma
dronaha : Drona
sootaputraha : son of Soota
tathaa : also
asau : that
saha : with
asmadeeyahi : our
api : also
yodhamukhyaihi : prime warriors
Shri Krishna had a surprise in store for Arjuna, even though Arjuna wanted him to stop showing his terrible form. Among all the scenes shown on the canvas of the cosmic form, Arjuna began to see the Mahabhaarata war. However, he saw things that had not happened so far. In other words, Shri Krishna was showing him the future.
Maaya, Ishvara’s great power, creates space and time. Space and time create the sense of separateness between us and the universe. Both space and time are interrelated. The larger the space, the more time it takes to go from one corner to another. A fish can traverse a bowl much faster than it can traverse a giant aquarium tank. Only Ishvara, who is beyond the notion of space and time, could show a scene that was to occur in the future, like a movie director who solely knows the outcome of a script.
Earlier, Shri Krishna had destroyed all notion of space, since it appeared that everyone and everything had congealed together in his cosmic form. Now, he began eliminating the notion of time. Arjuna could see the past, present and future all at once in the cosmic form. He now saw the Paandava and the Kaurava armies in that scene. He had a special place of dislike for Karna, calling him “that son of a Suta”. Suta refers to one whose mother is a brahmin and father is a kshatriya.
So then, what was happening to all these warriors? This shloka continues further.
bheeshmo dronaha sootaputrastathaasau sahaasmadeeyairapi yodhamukhyaihi || 26 ||
And all the sons of Dhritaraashtra, with bands of warrior kings, and also Bheeshma, Drona, and also that son of Soota, along with our prime warriors..
amee : these
cha : and
tvaam : you
dhritaraashtrasya : of Dhritaraashtra
putraahaa : sons
sarve : all
saha : with
eva : only
avanipaala : warrior kings
sanghai : bands of
bheeshmaha : Bheeshma
dronaha : Drona
sootaputraha : son of Soota
tathaa : also
asau : that
saha : with
asmadeeyahi : our
api : also
yodhamukhyaihi : prime warriors
Shri Krishna had a surprise in store for Arjuna, even though Arjuna wanted him to stop showing his terrible form. Among all the scenes shown on the canvas of the cosmic form, Arjuna began to see the Mahabhaarata war. However, he saw things that had not happened so far. In other words, Shri Krishna was showing him the future.
Maaya, Ishvara’s great power, creates space and time. Space and time create the sense of separateness between us and the universe. Both space and time are interrelated. The larger the space, the more time it takes to go from one corner to another. A fish can traverse a bowl much faster than it can traverse a giant aquarium tank. Only Ishvara, who is beyond the notion of space and time, could show a scene that was to occur in the future, like a movie director who solely knows the outcome of a script.
Earlier, Shri Krishna had destroyed all notion of space, since it appeared that everyone and everything had congealed together in his cosmic form. Now, he began eliminating the notion of time. Arjuna could see the past, present and future all at once in the cosmic form. He now saw the Paandava and the Kaurava armies in that scene. He had a special place of dislike for Karna, calling him “that son of a Suta”. Suta refers to one whose mother is a brahmin and father is a kshatriya.
So then, what was happening to all these warriors? This shloka continues further.
Saturday, October 20, 2012
Bhagavad Gita Verse 6, Chapter 11
pashyaadityaanvasoonrudraanaashvinau marutastathaa |
bahoonyadrishtapoorvaani pashyaashcharyaani bhaarata || 6 ||
Behold the Aadityaas, the Vasus, the Rudraas, the Ashvinis as well as the Maruts, O Bhaarata. Behold the many astonishing (sights) that were invisible until now.
pashya : behold
adityaan : the Aadityaas
vasoon : the Vasus
rudraan : the Rudraas
ashvinau : the Ashvinis
marutaha : the Maruts
tathaa : as well as
bahooni : many
adrishta : invisible
poorvaani : until now
pashya : behold
aashcharyaani : astonishing
bhaarata : O Bhaarata
Shri Krishna continues to describe the Vishwa-roopa, the universal form of Ishvara. He now points to the deities and the demi-gods that are seen in his form, but were also mentioned as his divine expressions in the previous chapter. These were the twelve Aadityaas, the eight Vasus, the eleven Rudraas, the two Ashvinis and the forty-nine Maruts.
Arjuna would only have read about these deities in the scriptures. Now, he was fortunate enough to see those deities with those own eyes. Shri Krishna calls this fact to his attention by saying that these sights were invisible or inaccessible to everyone else but Arjuna. Also, Shri Krishna repeatedly says “pashya” or behold, to underscore this point.
If a teenager who is an ardent fan of Spiderman somehow manages to meet him in person, what would his reaction be? It is astonishment, “aascharya”, which is defined as “that which makes us go aah”, that which makes our mouth wide open for a very long time. Shri Krishna, further describing his form, says that these sights are nothing short of pure astonishment.
bahoonyadrishtapoorvaani pashyaashcharyaani bhaarata || 6 ||
Behold the Aadityaas, the Vasus, the Rudraas, the Ashvinis as well as the Maruts, O Bhaarata. Behold the many astonishing (sights) that were invisible until now.
pashya : behold
adityaan : the Aadityaas
vasoon : the Vasus
rudraan : the Rudraas
ashvinau : the Ashvinis
marutaha : the Maruts
tathaa : as well as
bahooni : many
adrishta : invisible
poorvaani : until now
pashya : behold
aashcharyaani : astonishing
bhaarata : O Bhaarata
Shri Krishna continues to describe the Vishwa-roopa, the universal form of Ishvara. He now points to the deities and the demi-gods that are seen in his form, but were also mentioned as his divine expressions in the previous chapter. These were the twelve Aadityaas, the eight Vasus, the eleven Rudraas, the two Ashvinis and the forty-nine Maruts.
Arjuna would only have read about these deities in the scriptures. Now, he was fortunate enough to see those deities with those own eyes. Shri Krishna calls this fact to his attention by saying that these sights were invisible or inaccessible to everyone else but Arjuna. Also, Shri Krishna repeatedly says “pashya” or behold, to underscore this point.
If a teenager who is an ardent fan of Spiderman somehow manages to meet him in person, what would his reaction be? It is astonishment, “aascharya”, which is defined as “that which makes us go aah”, that which makes our mouth wide open for a very long time. Shri Krishna, further describing his form, says that these sights are nothing short of pure astonishment.
Friday, October 5, 2012
Bhagavad Gita Verse 35, Chapter 10
brihatsaama tathaa saamnaa gaayatraa chandasaamaham |
maasaanaam margasheershohamritoonaam kusumaakaraha || 35 ||
Among the Saamas I am Brihat-saama, also, among the poetic metres I am Gaayatri. Among the months I am Maargasheersha, and among the seasons I am spring.
brihatsaama : Brihat-saama
tathaa : also
saamnaa : among the Saamas
gaayatraa : Gaayatri
chandasaam : among the lyrical metres
aham : I am
maasaanaam : among the months
margasheershaha : Maargasheersha
aham : I am
ritoonaam : among the seasons
kusumaakaraha : spring
Previously, we came across the Saama Veda as one of Ishvara’s manifestations. Within the Saama Veda, there is a chant called the Brihat-Saama mantra, an invocation that is sung for praising Lord Indra. Since it is Brihat, the most potent and powerful among the Saama Veda mantras, Shri Krishna terms it as a foremost expression of Ishvara.
In prior chapters of the, we have seen the use of the poetic metre as a tool to emphasize the change in topic. Let us delve deeper into this. The Gita is composed in the “Anushtup chandas” . Chandas means metre. It is made up of 4 lines or padas, each comprising 8 syllables. For example, let us see a famous shloka: “ya-da-ya-da-hi-dharm-as-ya”. It contains 8 syllables. There are 3 more lines like this. So we get 8 times 4 equals 32 syllables.
The Gaayatri mantra is considered to be the root and essence of all Vedic mantras. It is composed in a metre of the same name. The Gaayatri metre is made up of 4 lines each comprising 6 syllables. The first line is “tat-sa-vi-tur-vareni-yam”. Therefore the Gaayatri mantra as well as the associated metre, foremost among all the mantras, are Ishvara’s expression.
Next, Shri Krishna elaborates upon weather and seasons. He says that among all the months, Ishvara is the month of Maargasheersha of the Indian calendar. It corresponds to the November-December time period and culminates in the festival of Makara Sankranti. He then goes on to say that among the seasons, Ishvara is Kusumaakara, which refers to spring, the flower-bearing season. Both Margasheersha and Kusumaakara are not too hot and not too cold. They are conducive to generating serenity in the mind, and that is why they are considered foremost expressions of Ishvara.
maasaanaam margasheershohamritoonaam kusumaakaraha || 35 ||
Among the Saamas I am Brihat-saama, also, among the poetic metres I am Gaayatri. Among the months I am Maargasheersha, and among the seasons I am spring.
brihatsaama : Brihat-saama
tathaa : also
saamnaa : among the Saamas
gaayatraa : Gaayatri
chandasaam : among the lyrical metres
aham : I am
maasaanaam : among the months
margasheershaha : Maargasheersha
aham : I am
ritoonaam : among the seasons
kusumaakaraha : spring
Previously, we came across the Saama Veda as one of Ishvara’s manifestations. Within the Saama Veda, there is a chant called the Brihat-Saama mantra, an invocation that is sung for praising Lord Indra. Since it is Brihat, the most potent and powerful among the Saama Veda mantras, Shri Krishna terms it as a foremost expression of Ishvara.
In prior chapters of the, we have seen the use of the poetic metre as a tool to emphasize the change in topic. Let us delve deeper into this. The Gita is composed in the “Anushtup chandas” . Chandas means metre. It is made up of 4 lines or padas, each comprising 8 syllables. For example, let us see a famous shloka: “ya-da-ya-da-hi-dharm-as-ya”. It contains 8 syllables. There are 3 more lines like this. So we get 8 times 4 equals 32 syllables.
The Gaayatri mantra is considered to be the root and essence of all Vedic mantras. It is composed in a metre of the same name. The Gaayatri metre is made up of 4 lines each comprising 6 syllables. The first line is “tat-sa-vi-tur-vareni-yam”. Therefore the Gaayatri mantra as well as the associated metre, foremost among all the mantras, are Ishvara’s expression.
Next, Shri Krishna elaborates upon weather and seasons. He says that among all the months, Ishvara is the month of Maargasheersha of the Indian calendar. It corresponds to the November-December time period and culminates in the festival of Makara Sankranti. He then goes on to say that among the seasons, Ishvara is Kusumaakara, which refers to spring, the flower-bearing season. Both Margasheersha and Kusumaakara are not too hot and not too cold. They are conducive to generating serenity in the mind, and that is why they are considered foremost expressions of Ishvara.
Thursday, September 13, 2012
Bhagavad Gita Verse 13, Chapter 10
aahustvaamrishayaha sarve devarshinaaradastathaa |
asito devalo vyaasaha svyayam chaiva braveeshi me || 13 ||
All the great sages and royal sages such as Naarada, Asita, Devala and Vyaasa speak this, and also you have said it to me.
aahuhu : speak
tvaam : to you
rishayaha : sages
sarve : all
devarshihi : divine sages
naaradasha : Naarada
tathaa : also
asitaha : Asita
devalaha : Devala
vyaasaha : Vyaasa
svyayam : yourself
cha : and
eva : also
braveeshi : said
me : to me
Further praising Ishvara, Arjuna added that several eminent individuals, over the course of history, have also praised Ishvara. He listed the names of the renowned sages Naarada, Asita, Devala and Vyaasa in this regard.
The Srimad Bhagavatam speaks of Naarada as the son of a maid-servant who served several priests. He grew up in an environment of spirituality and decided to seek the absolute truth in a forests after his mother passed away. His meditation bore fruit when he had a vision of Ishvara. After his death, he was reborn as the sage Naarada that many of us are familiar with. Naarada was learned in all the arts and sciences. He could travel anywhere in the universe, and talk to any deity that he wished.
Another sage mentioned here is Devalaha who was the son of a great sage named Asita, who was born as a result of Asita’s prayer to Lord Shiva. It is said that Devalaha was cursed by a celestial maiden named Rambha for not agreeing to marry her. He was reborn as Sage Ashtavakra, who is famous for writing the Ashtavakra Gita. And of course, Sage Krishna Dvaipayana Vyaasa is the author of the great Indian epic Mahabhaarata.
So therefore, Arjuna accepted the authority of Shri Krishna to convey the true nature of Ishvara. But did he have any doubts or objections?
asito devalo vyaasaha svyayam chaiva braveeshi me || 13 ||
All the great sages and royal sages such as Naarada, Asita, Devala and Vyaasa speak this, and also you have said it to me.
aahuhu : speak
tvaam : to you
rishayaha : sages
sarve : all
devarshihi : divine sages
naaradasha : Naarada
tathaa : also
asitaha : Asita
devalaha : Devala
vyaasaha : Vyaasa
svyayam : yourself
cha : and
eva : also
braveeshi : said
me : to me
Further praising Ishvara, Arjuna added that several eminent individuals, over the course of history, have also praised Ishvara. He listed the names of the renowned sages Naarada, Asita, Devala and Vyaasa in this regard.
The Srimad Bhagavatam speaks of Naarada as the son of a maid-servant who served several priests. He grew up in an environment of spirituality and decided to seek the absolute truth in a forests after his mother passed away. His meditation bore fruit when he had a vision of Ishvara. After his death, he was reborn as the sage Naarada that many of us are familiar with. Naarada was learned in all the arts and sciences. He could travel anywhere in the universe, and talk to any deity that he wished.
Another sage mentioned here is Devalaha who was the son of a great sage named Asita, who was born as a result of Asita’s prayer to Lord Shiva. It is said that Devalaha was cursed by a celestial maiden named Rambha for not agreeing to marry her. He was reborn as Sage Ashtavakra, who is famous for writing the Ashtavakra Gita. And of course, Sage Krishna Dvaipayana Vyaasa is the author of the great Indian epic Mahabhaarata.
So therefore, Arjuna accepted the authority of Shri Krishna to convey the true nature of Ishvara. But did he have any doubts or objections?
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